I imagine the most significant for my purpose is Color or Color Properties, but when I open that, everything I choose is reflected in the text itself, not the box surrounding it. I left-click and get various options, more or less mimicking what’s in the Text Adjustments window. PICTURE CONTENT EASYCATALOG HOW TOBut I can’t figure out how to apply anything to the box itself. I click the arrow at the bottom of the Text Adjustments window and use that to “choose” the text box: it brightens and shows 8 points around its circumference so I’m pretty sure it’s active. I apply the font, fill and stroke colors – all good.īut then it gets problematic: “You need to apply a text Style with a border to either the text itself or, believe it or not, the rectangle you've drawn behind your title in order to color and widen this stroke.” I believe it, I just don’t know how to do it! I click Style and choose a font that includes a border: “Myriad Bold 60 Medium Border White Black”. I double-click the text box ( "Classic/Default/Default Text"), put it in a video timeline above the clip, double-click, and get the Adjustments options on the right. I also assume it isn’t critical which of the text boxes I choose, just that the Style includes a border. I make an edit, then to add “a border (stroke) to your text, you need to first go to the Style tab on the Title Adjustments panel…” I assume that means the right-side panel and the “Text” tab. PS: Did I say "Artifical Intelligence" or "Self Learning Algorithms?" Um… perhaps no.Okay, I’ll go through it step by step and hopefully you can show me where and how I’ve screwed up. To make it faster you have to write the logics into a C++ plug-in. And its result could be topped by a good designer who knows very much about typography, white space, plus-and that's most important-the meaning of the contents.Ģ. You have to write a damn good script, that incorporates some aesthetic rules to make a good result. What bit of text belongs to one unit, what bit of text to another unit, that the eye of a reader should be able to destinguish?ġ. Contents is not only filling space with glyphs, but to present the contents in a readable way. Plus some knowledge about the addressed reader. Nothing against guesswork, I'd say.Īnd we have also to consider "contents" and some typographical rules if we aim for good readability. However, what the exact width of every column will be best would require some steps of iterating and guesswork. But only, if the scope is on the shown cells, that are not the whole table. A human beeing with experience on table design will know in an instance, that columns two and four should be made wider and column one and maybe column three should be made narrower. If the table spans several pages you have to get the whole picture first to make decisions.īack to your example. I found, that with rather small tables where one person (the layouter) is able to conceive the whole table at one glance, it is faster to do the work not automatically. The script is not perfect, but it does a good job as a starting point.īut here comes the problem: It is also very slow. ( I'm designer and developer in one person ) I once did a script, that tries to consider this and is changing the width of all columns to result in a table that: PICTURE CONTENT EASYCATALOG PLUSI'm talking about white space here not only in one cell, but you have to consider the white space of every cell in the whole table plus the height of the table at the same time. Your arrow is pointing at a problem you are seeing in column one.īut the solution is maybe lying in column four and two, if the four columns and the four body rows would be the whole table. Glad that you are showing an example table with a real-world text.
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